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Cindy Crawford Furniture, the former top model away from runways, no deal remains far from glamorous things and has now given the task of designing furniture and show his style and chic fashion style, as you see in the pictures where she appears posing for furniture.

The famous Raymore Flannigan furniture store has teamed up with Cindy for a collection of beautiful and elegant furnishings with exotic woods and luxurious leather that will make any environment, the perfect ambience, and an atmosphere of great good taste and style of a girl who knows fashion, the model is part of a campaign to promote their creations in furniture.

When looking for a screen as a screen or divider, interior screens usually look for traditional furniture stores. At most, think of a formal object that can be separated but not used to decorate itself. If on the contrary the intention is just to place a screen to also decorate, their options are usually not many.

However, the interior design comes to the rescue of those who are motivated to locate in your home functional and decorative object that is both different. Both as a sculpture or other artwork. Just the design concept of this screen is its originality from one idea to make a spacer, keeping in mind its decorative value.

A screen cell design consists of small units that complement each other and form a display surface of the measure sought. Vertical wires support the parts and the surface is pierced. The idea was developed with a playful spirit and refined. This screen is only a decorative triptych for the environment. It is an architectural object.

The cell composition can change. That adds another dimension and makes it something transformable functional object and customizable. It is an excuse to play the game or a medium that allows a way to own tastes.

One of the most attractive exhibitions and expected by those who love decorating and landscaping was opened a few days in Buenos Aires. Pillar style will run until October 31.

It is very early and awaits the arrival of the bus that transported us to a group of journalists at the opening of the exhibition of decorative and landscaping, located in Pillar Casuarinas the Club de Campo.

Already installed in the freezer, read information from the show, where that “this year takes place in a natural wild environment that features a pond and trees, it stands an old farmhouse in 1890, with its attractive art gallery, and two modern houses of 500m2 each. ” Style Pillar has32 decorated spaces, distributed between the two houses, 24 strategically selected landscape spaces, a shopping, dining and a proposed series of lectures on landscaping, gardening and decorating.

Colorful and highly creative environments are presented, and after talking with some of the decorators, we learn that these places are armed not only with new furniture but-also-used objects “grandma” (result of family heirlooms recycled), which can be recycled and generate new elements.

Large pots and baskets of fruit are classic used ad nauseam in the gardens. Today it manufactures reproductions of old models, adorned with moldings and lion decorations, garlands and fruits, but also made bad copies with clearly noticeable bad finish. The clay is a material that adapts and integrates nicely with the natural elements. The pieces made of stone, bronze, copper or lead are other options available on the market. These planters, provided that equip them with adequate drainage at least one hole in the bottom, it will be filled with flowering plants, shrubs carved into geometric shapes or succulents such as aloes, so typical in the Mediterranean garden. If they are already, much decorated cover may not be desirable. For more information visit interior.

The technology has long since entered the kitchen. It is a fact that no one escapes. What is perhaps not so usual is that the technology is applied to furniture.

Because of interpreting the digital world around us, there are new products like the one we present:

This is the first kitchen has evolved from manufacturing in two dimensions to the application of three-dimensional techniques, redesigning the volumes of the actual area of the kitchen furniture.
The innovative surface texture of the doors is achieved through the depth of their forms that creates a change of light and shadow causes a visually stunning result.
Surfaces in three dimensions of this kitchen furniture are designed to keep its functionality and are composed of materials with low environmental impact.

This glass pavilion, fully opened, is one of the most radical housing projects of Miens. Eight vertical steel pillars that will endure both the construction of steel roof and the floor will support the weekend house located on a wooded area near the Fox River. The latter is also supported by the glazing bars, precisely dimensioned, which extend from the top to the ground. As opposed to black enamel coating on the supporting elements of the IIT, the Farnsworth House, the stainless steel parts have been painted white.

Some years later, Miens explained in an interview with the principle regarding the area of glass Farnsworth House: “Nature should take his own life. Should be preserved to alter it with the color of our houses and interior decoration, rather we would achieve a greater degree of unification of nature, the house and humans. When you contemplate the nature through the glass panes of the Farnsworth House, it acquires a deeper meaning when viewed from the outside. Nature is more openly expressed, becomes part of a larger whole. “

⎯ The Farnsworth House has next to contemporary project, never built, the house 50×50 feet square ⎯ between Miens recent housing projects. After these pavilions opened and both made for a house dedicated to the contemplation of nature, it seems that the architect had exhausted the subject of housing, it was clear that ultimately had led to the reflections related to this issue.

The Farnsworth House was designed and built for a single woman, the eminent Dr. Edith Farnsworth of Chicago, and after years of continuous and intensive consultations with the client got carried out, at first, Mrs. Farnsworth was thrilled not only with the project but also the personality of the architect, but after finishing suffered a great disappointment because the house was habitable be difficult due to its abstract simplicity. This and other circumstances led to the break between Miens, Mrs. Farnsworth, and a lawsuit against the architect because the final value of the building. Among other things, the client sued the poor conditioning of the interior of the building and excessive costs exceeded the initial budget. The simplicity of the Farnsworth House and conceptual elegance and beauty make it one of the most outstanding buildings of Miens.